Okay, so I admire him as a writer. And his books are touching in a personal, meaningful way, without being overly preachy. So there are life lessons aplenty to be learned from his books, ones that could really help provide clarity and priority to those of us who are a little lost.
I accept and freely admit all these things.
Time to vent. I finished "For One More Day," his life-after-death view of a man's goal of suicide and how he was saved. Mitch, if I see ever see you in public I'm gonna throw you a beating. Frickin rip my heart out, why don't you? You bum.
If you ever want to be more appreciative for your parent(s), read this book. You'll regret every injustice you've ever done your mom and/or think of your dad as Superman.
Unless, of course, you're parental relationships were actually worse than his, in which case, God bless you.
Showing posts with label book. Show all posts
Showing posts with label book. Show all posts
Wednesday, February 3, 2010
Friday, February 27, 2009
No Country for Old Men
It easy to expect I would enjoy the book behind such an incredible film, but the experience of Cormac McCarthy’s No Country for Old Men as a whole was different then anything I expected. As a warning now, do not continue reading this post unless you have seen the film or read the book. There are spoilers aplenty, and I implore you not to do anything to ruin this movie for yourself. Yes, it is that good.
Right off the bat, it is clear that the author is well familiarized with the West. Like the movie spawned from it, the book captures the sound, the feel, the essence of the open desert. This is not as easy as it sounds, for it goes far beyond the colloquialisms and dialects of the people, but has more to do with the pace. No, not the salsa. McCarthy’s words fall in a steady tempo. The speech patters are simple but rarely simplistic. In the same manner, No Country comes up short on big words but not at all on big meanings, and it is all far too masterfully executed to be on accident.
McCarthy is also very detail oriented, for good and for ill. Someone doesn’t just get “shot in the face” as the author captures every facet of every scene, leaving nothing to the imagination. You’ll know the entry and exit points of the bullet. You’ll read how the blood drips down the wall, or how the brain matter covered the pillow. The Cohen Brothers also left little to the mind’s eye.
The titular theme of the novel is further carried in the book. More conversations describe the changes in our nation, and more of those changes are associated with drugs. More introspection by Sheriff Bell both delves into his reaction to those changes and cements his status as the main focus of the story. Bell, representing Justice, finds himself more and more outdated. His pursuit of Llewelyn Moss, symbolizing Greed, tells the old tale: a criminal commits a crime, and the law eventually catches up.
Or does it? Can the law ever keep up? When the law isn’t justice any more, it is only the law, a collection of words and practices, ill-matched for the escalation to come.
Sheriff Bell has a bigger problem than the changing nature of the American legal system and that is the change of the American society; namely, it’s gravitation to Violence, epitomized by Anton Chigur. Chigur is a killer, but not a normal one. It is not the drive to due damage or cause pain that fuels him, but rather an inability to conceive of the world in a manner different than the one he sees. Violence is something to be accepted. It isn’t his choice; it just is.
So much is captured between the lines in this novel; it could never be shared in some hastily written post, jotted down by a fan. Screw it; here goes.
Our parents’ grandparents could never imagine the world as it is today, or even as it was for our parents. Beyond the changes in technology, it is the graphic nature of our very lives. Movie war heroes in the 50’s would shoot, and a Nazi would fall to the ground, clutching his chest. They didn’t blow people’s legs off or split their skulls open. Our heroes do.
Because our villains do. Escalation. When two losers shoot up a school, we blame violence in the media. Art reflects societies’ values, not the other way around. Steven Spielberg didn't make war more violent, he just took off the filter. We shouldn’t condemn Michael Bay for selling us explosions; we should condemn ourselves for buying them.
But buying is what we do best. We guzzle fuel, and food, and get all we can, experience all we can. Bigger TV’s, faster cars, trips to theme parks, tripping on drugs.
Drugs, defended by half the country, condemned by the rest. I remember when that commercial came out relating marijuana use to helping terrorism, and all these hippies decried it. I wish the hippies had been right, but a trip to Youtube will show you otherwise. Over the past couple of years, Mexican drug lords have used the site as a forum and scorecard. Torture a rival? Post it on Youtube. Decapitate a cop? Put it online. Then leave the head outside a barracks for the Mexican army. Tough not to call it terrorism.
Drugs epitomize the attitude of consumption. So what if it's illegal, immoral, and wrecks your body? It's a way to spend money on a one time rush. Sign us all up.
I don't know if we can keep up, with the economy or the violence. In the long run, of course we can't. Everything ends eventually, and our society may be too rich, too violent, too much. When you put that much energy in a box, something has to give. Senior citizens always see these changes coming first, with the strength of experience and the weakness of the lens of human mortality, which always warps further towards the end.
Or does it finally get it right? Our society views youth as a virtue, but there's something to be said for those cultures on the other side, such as China, where age is resource of value, the more the better. In all of human history, this is the best time to be alive, and arguably the best place to be living. That said, this is no country for old men.
Right off the bat, it is clear that the author is well familiarized with the West. Like the movie spawned from it, the book captures the sound, the feel, the essence of the open desert. This is not as easy as it sounds, for it goes far beyond the colloquialisms and dialects of the people, but has more to do with the pace. No, not the salsa. McCarthy’s words fall in a steady tempo. The speech patters are simple but rarely simplistic. In the same manner, No Country comes up short on big words but not at all on big meanings, and it is all far too masterfully executed to be on accident.
McCarthy is also very detail oriented, for good and for ill. Someone doesn’t just get “shot in the face” as the author captures every facet of every scene, leaving nothing to the imagination. You’ll know the entry and exit points of the bullet. You’ll read how the blood drips down the wall, or how the brain matter covered the pillow. The Cohen Brothers also left little to the mind’s eye.
The titular theme of the novel is further carried in the book. More conversations describe the changes in our nation, and more of those changes are associated with drugs. More introspection by Sheriff Bell both delves into his reaction to those changes and cements his status as the main focus of the story. Bell, representing Justice, finds himself more and more outdated. His pursuit of Llewelyn Moss, symbolizing Greed, tells the old tale: a criminal commits a crime, and the law eventually catches up.
Or does it? Can the law ever keep up? When the law isn’t justice any more, it is only the law, a collection of words and practices, ill-matched for the escalation to come.
Sheriff Bell has a bigger problem than the changing nature of the American legal system and that is the change of the American society; namely, it’s gravitation to Violence, epitomized by Anton Chigur. Chigur is a killer, but not a normal one. It is not the drive to due damage or cause pain that fuels him, but rather an inability to conceive of the world in a manner different than the one he sees. Violence is something to be accepted. It isn’t his choice; it just is.
So much is captured between the lines in this novel; it could never be shared in some hastily written post, jotted down by a fan. Screw it; here goes.
Our parents’ grandparents could never imagine the world as it is today, or even as it was for our parents. Beyond the changes in technology, it is the graphic nature of our very lives. Movie war heroes in the 50’s would shoot, and a Nazi would fall to the ground, clutching his chest. They didn’t blow people’s legs off or split their skulls open. Our heroes do.
Because our villains do. Escalation. When two losers shoot up a school, we blame violence in the media. Art reflects societies’ values, not the other way around. Steven Spielberg didn't make war more violent, he just took off the filter. We shouldn’t condemn Michael Bay for selling us explosions; we should condemn ourselves for buying them.
But buying is what we do best. We guzzle fuel, and food, and get all we can, experience all we can. Bigger TV’s, faster cars, trips to theme parks, tripping on drugs.
Drugs, defended by half the country, condemned by the rest. I remember when that commercial came out relating marijuana use to helping terrorism, and all these hippies decried it. I wish the hippies had been right, but a trip to Youtube will show you otherwise. Over the past couple of years, Mexican drug lords have used the site as a forum and scorecard. Torture a rival? Post it on Youtube. Decapitate a cop? Put it online. Then leave the head outside a barracks for the Mexican army. Tough not to call it terrorism.
Drugs epitomize the attitude of consumption. So what if it's illegal, immoral, and wrecks your body? It's a way to spend money on a one time rush. Sign us all up.
I don't know if we can keep up, with the economy or the violence. In the long run, of course we can't. Everything ends eventually, and our society may be too rich, too violent, too much. When you put that much energy in a box, something has to give. Senior citizens always see these changes coming first, with the strength of experience and the weakness of the lens of human mortality, which always warps further towards the end.
Or does it finally get it right? Our society views youth as a virtue, but there's something to be said for those cultures on the other side, such as China, where age is resource of value, the more the better. In all of human history, this is the best time to be alive, and arguably the best place to be living. That said, this is no country for old men.
Thursday, June 19, 2008
Angela's Ashes
Since the greatest purpose of this blog is to catalog the things for which I am grateful (yes, I'm easily distracted) I think I'll hop back on track for a post. Of course, it's easy to be grateful for what I have after reading about life in Ireland during the Great Depression.
Angela's Ashes is Frank McCourt's memoir of his childhood. While very funny in parts, courtesy of McCourt's dry wit and terrific phrasing, this book is not a real fun read. Hearing how he lived in near-starving conditions, it was great when he described the Friday's when his dad would bring home a paycheck. He painted a picture of the family having eggs (no meat for Catholics on Friday), everything getting cleaned, and, basically, fundamental human needs were being met. I took no pleasure knowing that most Fridays his dad would take his paycheck and blow it all at the pub.
At the beginning of the book, McCourt says it is terrible to have a poor childhood, but infinitely worse to have a poor Irish childhood. Alcoholism is always a blight upon the families it infects, but its cultural epidemic upon the Irish working class was more of a holocaust.
In addition to the value of the book for purely literary purposes, it was a blinding reminder to be grateful for my childhood and, in particular, my father. Seeing the destruction alcoholism causes in the lives of Frankie and his family, I feel pretty blessed having a dad who was never drunk. Ever. Dad never stumbled home, angry or depressed. He came home and then took us to whichever sport team we were on -and he was coaching. I suppose instead of hitting his kids, he just us that he was proud of us and loved us. Instead of declaring the cruelties of life over a drink, he consistently referred to himself as the luckiest man in the world. Most of my weekend mornings were started hearing my dad singing at the top of his lungs: Al Jolsen, Nat King Cole, Bing Crosby.
To be fair, I do remember the first time I saw my dad drunk. I was in college, and we were playing beer pong together at my fraternity's father-son tournament. Seriously. It was a great night. Much to my embarrassment at the time, I learned my dad is the EXACT same kind of drunk I am: cheerful, friendly, and overly affectionate in that mortifying "I-love-you-maaaan" kind of way. God. anyway, looking back, I don't have a lot to complain about. If my experiences read like a storybook, it's probably because that's where tales such as mine usually are found.
My dad isn't perfect but not a lot of people are. To be sure though, he has always loved and cared for his wife and children, and that is about the greatest measure of a man. To summarize this review and homage, I leave you with a piece from Angela's Ashes. Just try and view my life as one where nothing like this could ever happen, and you'll do a decent job of figuring me out.
At one point, little Frankie steals fish and chips, still in wrapper, that a drunken man has let fall to the floor in a pub. Realizing he’d go to Hell if he were to die that night, he finds a church to confess in while on the way home. Here is that conversation.
Frankie: “Bless me father for I have sinned, it’s a fortnight since my last confession.” I tell him the usual sins and then, “I stole fish from a drunken man.”
Father: “Why, my child?”
“I was hungry, Father.”
“Why were you hungry?”
“There was nothing in my belly, Father.” He says nothing, and even though it’s dark I know he’s shaking his head.
“My child, why can’t you go home and ask your mother for something?”
“Cause she sent me out looking for my father in the pubs, Father, and I couldn’t find him. And she hasn’t a scrap in the house cause he’s drinking the five pounds Grandpa sent from the North for the new baby, and she’s raging by the fire because I can’t find my father.”
I wonder if this priest is asleep. Cause he’s very quiet till he says, “My child, I sit here, I hear the sins of the poor, I assign the penance, I bestow absolution, I should be on my knees, washing their feet. Do you understand me, my child?”
I tell him I do, but I don’t.
“Go home child, pray for me.”
“No penance, Father?”
“No, my child.”
“I stole the fish and chips, I’m doomed!”
“You’re forgiven. Go. Pray for me.”
He blesses me in Latin, talks to himself in English. I wonder what I did to him.
Angela's Ashes is Frank McCourt's memoir of his childhood. While very funny in parts, courtesy of McCourt's dry wit and terrific phrasing, this book is not a real fun read. Hearing how he lived in near-starving conditions, it was great when he described the Friday's when his dad would bring home a paycheck. He painted a picture of the family having eggs (no meat for Catholics on Friday), everything getting cleaned, and, basically, fundamental human needs were being met. I took no pleasure knowing that most Fridays his dad would take his paycheck and blow it all at the pub.
At the beginning of the book, McCourt says it is terrible to have a poor childhood, but infinitely worse to have a poor Irish childhood. Alcoholism is always a blight upon the families it infects, but its cultural epidemic upon the Irish working class was more of a holocaust.
In addition to the value of the book for purely literary purposes, it was a blinding reminder to be grateful for my childhood and, in particular, my father. Seeing the destruction alcoholism causes in the lives of Frankie and his family, I feel pretty blessed having a dad who was never drunk. Ever. Dad never stumbled home, angry or depressed. He came home and then took us to whichever sport team we were on -and he was coaching. I suppose instead of hitting his kids, he just us that he was proud of us and loved us. Instead of declaring the cruelties of life over a drink, he consistently referred to himself as the luckiest man in the world. Most of my weekend mornings were started hearing my dad singing at the top of his lungs: Al Jolsen, Nat King Cole, Bing Crosby.
To be fair, I do remember the first time I saw my dad drunk. I was in college, and we were playing beer pong together at my fraternity's father-son tournament. Seriously. It was a great night. Much to my embarrassment at the time, I learned my dad is the EXACT same kind of drunk I am: cheerful, friendly, and overly affectionate in that mortifying "I-love-you-maaaan" kind of way. God. anyway, looking back, I don't have a lot to complain about. If my experiences read like a storybook, it's probably because that's where tales such as mine usually are found.
My dad isn't perfect but not a lot of people are. To be sure though, he has always loved and cared for his wife and children, and that is about the greatest measure of a man. To summarize this review and homage, I leave you with a piece from Angela's Ashes. Just try and view my life as one where nothing like this could ever happen, and you'll do a decent job of figuring me out.
At one point, little Frankie steals fish and chips, still in wrapper, that a drunken man has let fall to the floor in a pub. Realizing he’d go to Hell if he were to die that night, he finds a church to confess in while on the way home. Here is that conversation.
Frankie: “Bless me father for I have sinned, it’s a fortnight since my last confession.” I tell him the usual sins and then, “I stole fish from a drunken man.”
Father: “Why, my child?”
“I was hungry, Father.”
“Why were you hungry?”
“There was nothing in my belly, Father.” He says nothing, and even though it’s dark I know he’s shaking his head.
“My child, why can’t you go home and ask your mother for something?”
“Cause she sent me out looking for my father in the pubs, Father, and I couldn’t find him. And she hasn’t a scrap in the house cause he’s drinking the five pounds Grandpa sent from the North for the new baby, and she’s raging by the fire because I can’t find my father.”
I wonder if this priest is asleep. Cause he’s very quiet till he says, “My child, I sit here, I hear the sins of the poor, I assign the penance, I bestow absolution, I should be on my knees, washing their feet. Do you understand me, my child?”
I tell him I do, but I don’t.
“Go home child, pray for me.”
“No penance, Father?”
“No, my child.”
“I stole the fish and chips, I’m doomed!”
“You’re forgiven. Go. Pray for me.”
He blesses me in Latin, talks to himself in English. I wonder what I did to him.
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